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THE PICTURE OF DORIAN GRAY (1945)
| Captain Dallas |
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Newbie

Group: Member
Posts: 8
Member No.: 192
Joined: 18-November 05

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If there's a film crying out for a DVD release it's Albert Lewin's flawless version of Oscar Wilde's novel. Everything about the production is perfect from Hurd Hatfileld as the perfectly cast Dorian Gray giving him just the right amount of aloofness, youth and gullability. It's, IMHO, a great film bolstered by what amounts to a brilliant cast, where no-one stands out. The ensemble acting of George Sanders, Angela Lansbury, Peter Lawford, Donna Reed and Lowell Gilmore as the artist Basil Hallward. I've tried MGM's website regularly to see if a release date is imminent, but it's been in vain. Sorry to go on about how brilliant both technically and dramatically this film, but it deserves to be re-asssessed and hopefully re-issued. Anyone with ANY information about this film, let me know
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| Classic Movie Man |
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Administrator
         
Group: Admin
Posts: 4,906
Member No.: 4
Joined: 7-December 04

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It has its ludicrous side. Hurd Hatfield's Dorian (who sells his soul to keep his youth) doesn't look fresh; he looks glacéed. And the other characters don't seem to age with the years either, so there's no contrast with him. But the Oscar Wilde story has its compelling gimmick and its cheap thrills, and despite the failings of Albert Lewin as writer and director, he has an appetite for decadence and plushy decor. Neither Hatfield, who tries scrupulously hard, nor George Sanders, who plays the epigrammatic Wilde figure, Lord Henry Wotton, rises above Lewin's chic gothic conception, but as Dorian's victim, gullible Sibyl Vane, the young Angela Lansbury gives her scenes true depth of feeling. This may be her most intuitive and original screen performance. When she sings "Little Yellow Bird" in a pure, sweet voice, the viewer grasps that the man who would destroy this girl really is evil. With Donna Reed, Lowell Gilmore, and Peter Lawford. The cinematography is by Harry Stradling; the Albright brothers—Ivan and Zsissly—painted the series of portraits. (A 1970 version, starring Helmut Berger and released by A.I.P. under the name DORIAN GRAY, is more like FANNY HILL.) MGM. .(Pauline Kael review)
CMM : Enjoyed it a bit more than Miss Kael. Almost a film of two halves : it starts a bit precious and stiff upper lip but becomes quite compelling as the portrait changes and Dorian frantically tries to hide it. (3 out of 5)
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| EMB |
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Resident Grinch
         
Group: Super Member
Posts: 2,287
Member No.: 40
Joined: 22-December 04

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I have to agree with Ms. Kael(who died in 2001, BTW): this is a grand failure of a movie. From a visual standpoint, it works, but it's dubiously cast--Hurd Hatfield had no charisma whatsoever, and this was a portent of his checkered career to come. George Sanders was good(wasn't he always?)while Lansbury in her youth could be a remarkable and fresh actress, and her Sibyl is an affecting young lady, the best thing going on here. I wonder if the big mistake was having a stolid studio like M-G-M film this one. Putting Wilde on celluloid was always a challenging endeavor(many have tried, not sure anyone has succeeded), and the dark perversity of Oscar's tome is missing here, along with the necessary passion and dark brooding. The portraits(shown in Technicolor in an otherwise B&W movie)are well done. ED
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| Bradman |
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Banned
         
Group: Banned
Posts: 1,203
Member No.: 170
Joined: 14-November 05

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This is one of my favourites, it isn't perfect (What is?) but whatever are any faults they don't bother me at all, I just enjoy watching it. If it is on TV (Rarely  ) then I have to watch all of it, unlike other films I couldn't watch just a part of it. I think that Hurd Hatfield was a good choice for Dorian Gray, I used to think that he should have been more animated and should have shown more emotion, but gradually I realised that his portrayal, as a glacial aesthete, was correct and quite probably what the director wanted. I liked the atmosphere of the movie, I think that it did very well in capturing the general tone of the book. I think that if there was a modern version then it could be more accurate, it could be much darker but I doubt if those changes would make it more engrossing or more compelling.
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