West Mansion
The Ghoul Realm
The OPCFG
Light Sword Cypher Mainframe
RMbLC
Prime Central Station
5thman Studio
Deadhead Zero
Oracle Paranormal Research Society
Gunmetal Black
Seven Spheres Legend
Happy Fun Bucket
Calvin & Hobbes
Sinfest
T3M Emergency Forum
Check out the T3M Banner Archive!

Bruce Campbell.com
HomestarRunner
Digital Press
Rush
Fear Factory
Alice In Chains
Type O Negative
Tool
Megadeth
Dream Theater
Sonata Arctica
Nightwish
God Lives Underwater
Gargamel!
"Weird Al" Yankovic


12/1/2009 - Have a Merry Christmas; a Happy Hanukkah; a Kwazy Kwanzaa; a tip-top Tet; a solemn, dignified Ramadan and the best Decemberween ever! - Dire

Check out the latest activity on T3M here.

Dr. Totenkopf: "I have been witness to a world consumed by hatred and bent on self-destruction, watched as we have taken what was to be a paradise and failed in our responsibilities as its steward. I know now that the course of human race has set for itself cannot be changed. I am the last desperate chance for a doomed planet. Now, leave this place or die!"

Need an avatar? Click here and see if there's one you like!


 

 Music trivia no one but me cares about, aka "Who the fuck is Network?"
Dire 51
Posted: Oct 28 2009, 10:18 PM


Step into the shadows of the Hell House.
*

Group: Edgecrusher
Posts: 23,358
Member No.: 1
Joined: July-22 04



"Back In America" by Network, aka the end credits song for the film National Lampoon's European Vacation

I've liked this song ever since I saw the movie back in the mid-'80s. But when I went to look up an album by this Network band way back when, I couldn't find one. In fact, I could never find any info about Network, no matter how hard I looked. It was almost like they didn't exist, like they recorded this one song then vanished.

Today, I finally found a clue to solving this mystery that's perplexed me for over twenty years. I stumbled on an old message board post during a Google search (so old I had to recover it from a Google cache) for the European Vacation soundtrack that mentioned a band called Le Roux that recorded a version of the song on the Millenium Edition of their album So Fired Up.

QUOTE (Larry Martin @ September 8, 2005 09:06 AM)
I have found doing further research that 'Back In America' was recorded as a bonus song on the LaRoux Millenium edition (circa 1999 - 2000) of their (LaRoux's) original album 'So Fired Up' (circa 1983). Here is a URL that may point you further.

http://heavyharmonies.com/cgi-bin/glamcd.c...ame=So+Fired+Up

'Back In America' was NOT on the original album !

I misspelled LeRoux in the comment above. (LaRoux should be LeRoux).

Having never heard of Le Roux before, I decided to do a search for them on Google in relation to the song "Back In America." What I found answered my question at last.

http://www.glorydazemusic.com/articles.php?article_id=2115

QUOTE
It's well known that Toto lured Fergie away to join them for their 'Isolation' album in 1984, causing a further setback for Le Roux. Despite this, the members were not idle in 1984, starting with the song 'Back In America' with future Strangeways singer Terry Brock on vocals. This track is included on the millennium edition CD of So Fired Up, so we asked Leon for some background on how it came together 'Towards the end of LeRoux, Phil Ehart produced the song 'Back In America' for the movie 'European Vacation'. At this point Fergie had left the band to sing with Toto. Phil used members of LeRoux with Terry to record the song. The band was called Network.'

No further mention of Network is made in the article. Therefore I'm inclined to believe that they did just record one song as Network, then disbanded. Kind of reminds me of such one-off bands like Class of '99 (featuring Layne Staley of Alice in Chains as vocalist, Tom Morello of Rage Against the Machine (and later Audioslave) on guitar, Stephen Perkins of Jane's Addiction on drums and bassist Martyn LeNoble of Porno for Pyros), who came together just to record a cover of Pink Floyd's "Another Brick in the Wall (part 2)" for the soundtrack for the film The Faculty and disbanded just as quickly, having recorded nothing other than that one song (and an instrumental version) for that one soundtrack.

And there it is, music trivia that no one but me cares about. :lol
Top
typeofreak
Posted: Nov 3 2009, 09:27 AM


The Punisher
*

Group: Linchpin
Posts: 9,104
Member No.: 9
Joined: July-23 04



The thread title is accurate. 18 views and I'm the first post, only to say that, no, I don't care.

:lol
Top
Dire 51
Posted: Nov 3 2009, 10:39 AM


Step into the shadows of the Hell House.
*

Group: Edgecrusher
Posts: 23,358
Member No.: 1
Joined: July-22 04



I strive for accuracy in my thread titles, damn it! :lol

If nothing else, be happy for me because I managed to finally answer a question that's been bugging me for so damn long.
Top
typeofreak
Posted: Nov 4 2009, 05:59 AM


The Punisher
*

Group: Linchpin
Posts: 9,104
Member No.: 9
Joined: July-23 04



:)
Top
Dire 51
Posted: Nov 4 2009, 09:25 AM


Step into the shadows of the Hell House.
*

Group: Edgecrusher
Posts: 23,358
Member No.: 1
Joined: July-22 04



You know, all this has me thinking: has anyone else had to do any detective work to try to find out what happened to a band or album? For instance, how about the mystery of the '90s alternative band Smile? They released the album Maquee with "Staring at the Sun" on it back in '95, which got some decent radio coverage (in Central Florida, at least) and a music video. Didn't hear anything about them after that until I got online and found their website, but it vanished shortly thereafter. From that point, it was like there was no info on Smile to be found.

Fast forward about ten years to today. A random search on YouTube leads to Smile's MySpace page, and all my questions are answered:

QUOTE
A veteran of semi-seminal OC hardcore bands Inside Out and Headfirst, Rosas formed Smile in 1992 with Headfirst bassist and fellow Woodbridge High student Aaron Sonnenberg. The two placed an ad for a drummer in the Recycler, which led them to the prosaic Barstow home of Scott Reeder. "He was completely different from Aaron and me," Rosas remembers. "He was this Barstow rocker guy. Long hair, checkered pants, ripped Pink Floyd tank top and a bandana on his head. He was the best drummer I'd ever played with in my life." The threesome released a seven-inch ("Resin"), and then in 1995 released a sludgy bombastic yawp of grunge called Maquee on the San Diego-based Headhunter label. Rosas' particular lyrical yens—insouciant or wry fatalism, revenge fantasies, bizarre suburban Gothicism—made early appearances here. On Maquee's very self-conscious "Rock Anthem for the Retarded Teenage Hipster Population," Rosas sings: "Before we start, I'd like to say that we're all done/Remember what we started for, remember it was fun/Now we try so hard to look like we don't try/The only things that we become are all the unimportant things we buy/ . . . The only thing we learn from our mistakes is that we make a lot of mistakes." Smile smelled like teen spirit back then.

Before long, Atlantic Records came calling, signed the band and gave them a hefty advance. The musicians quit their day jobs, moved out of their parents' houses and began touring the country. Atlantic rereleased Maquee, and "Staring at the Sun" was getting airplay. Rosas remembers pulling into a Colorado town and hearing promo spots on the radio for their show that night. When they got to the club, there was a line down the block; the show was sold out.

Smile stayed on the road for about a year and a half before taking time off to work on a new album. It was at this point that things started getting messy. Sonnenberg hadn't loved touring the way Rosas and Reeder did. It was clear he was going to quit. The band found an easy replacement in John Doe Thing bassist Bob Thompson. Meanwhile, recording in San Diego with Mark Trombino, the band began to feel what Rosas describes as "resistance" from Atlantic. To make a very long story short, Smile ultimately asked to leave the label; Atlantic obliged and even let them take their unfinished album with them. Eventually Girl Crushes Boy came out on Headhunter, to whom Smile were still contractually bound. Though Rosas was never entirely happy with Girl Crushes Boy, most listeners regard it as a masterpiece, and much more in keeping with the sound that Smile grew into—jangly, layered, Beatles-influenced '60s pop—than Maquee.

At this point, about 1999, Smile, with the addition of Matt Fletcher ..boards, began playing around again in OC and Los Angeles. They were rebuilding their fan base. Things seemed to be on an upswing when Reeder told Rosas he was quitting to join San Clemente hard rockers Fu Manchu. "I think he left because he wanted to be in a situation where he felt inspired again," Rosas recalls. "He knew I would understand and I totally did even though it was still sad."

Sad? Rosas was fairly devastated by the loss. Matt Fletcher brought up the idea of his brother James, who'd played in a number of Costa Mesa bands like Film Star and the Women. Smile tried him out. It worked. Once more, the machine swung into gear. A five-song demo was recorded and sold at shows; Smile was selling out Chain Reaction and doing well in LA.

excerpted from:
The Long Way Out: Smile decide to end it all by Alison M. Rosen
Published on June 19, 2003; OCWeekly
Top
typeofreak
Posted: Nov 4 2009, 11:01 AM


The Punisher
*

Group: Linchpin
Posts: 9,104
Member No.: 9
Joined: July-23 04



I remember that song!

Blue Meridian comes to mind. I saw them on 12/31/99 and they did a flawless cover of "It's the End of the World as We Know It" replete with Little Nicky from their radio single "Sideways Silverjet" working the flash cards ala the R.E.M. video. I loved "Sideways Silverjet". They disappeared.

IDK wth happened to Sleepytime Gorilla Museum either since there haven't been any updates on their site for months or a year or whatever. One of the BEST live shows EVER.

Kind of the opposite happened this Summer w/ Down. I never thought, "Wth ever happened to them?". But after seeing them live in a small, mosh-worthy, crowd-surfing-crazy venue I thought to myself, "Self, wth DIDN'T you ask that?!?!?! And wth didn't you put in for the ticket raffle?!?!? You got effing LUCKY that some big band fan who wasn't into the rock n' roll won them and gave them to you!"
Top
Dire 51
Posted: Nov 4 2009, 12:08 PM


Step into the shadows of the Hell House.
*

Group: Edgecrusher
Posts: 23,358
Member No.: 1
Joined: July-22 04



Blue Meridian I've never heard of, but they sound like something I'd like to hear. I still have a copy of the Sleepytime Gorilla Museum CD that either you or zatharus sent me, although I only listened to it once and wasn't very impressed.

Down, on the other hand... I knew they were a side project that Phil Anselmo had going with a couple of the guys from Corrosion of Conformity when he was still with Pantera, but now that Pantera's gone, I guess he's doing it full time.

Here's another one for you: ever heard of Crawlspace? I'll bet you have, but you may not realize it. I first heard them when they contributed a song called "My Ruin" to the Mortal Kombat: More Kombat CD (which also has a great God Lives Underwater B-side on it, "Weight" - the only place you can get it) in '96. Good song, and I wanted to find out more about them. So did cosmo, as he'd heard Crawlspace somewhere else and wanted to track them down. But neither of us could turn anything up by them.

A couple years later, this new band was being played heavily on the radio. I liked what I heard, and heard good things about their first CD from friends who'd picked it up. So I grabbed it. As I'm looking through the tracklisting, I see a song called "My Ruin." "Interesting," I said. "There's another song called 'My Ruin'."

So I put the CD on... I think you can see where I'm going with this. Yes, it was the same song as the Crawlspace song from More Kombat. A quick check of the liner notes revealed a note from the band saying something along the lines of "To all Crawlspace fans, thanks for your support."

The band? Sevendust. And now you know the rest of the story.
Top
typeofreak
Posted: Nov 5 2009, 09:02 AM


The Punisher
*

Group: Linchpin
Posts: 9,104
Member No.: 9
Joined: July-23 04



Interesting @ Sevendust. I love their earlier stuff too. Great live show as well.

I think Superjoint Ritual became Phil's full-time gig for a while but he's Down now and that's fine by me. In fact 2 other members are in both bands as well.

SGM's recorded music is not the best. I can pick out a few songs like "1997", "Sleep is Wrong", "Powerless" and the first couple of tracks on their second release that I can get into but it's all about the live show for them.
Top
Dire 51
Posted: Nov 5 2009, 10:36 AM


Step into the shadows of the Hell House.
*

Group: Edgecrusher
Posts: 23,358
Member No.: 1
Joined: July-22 04



So SGM is kind of like Gwar in that sense? They have a phenomenal live show but "meh" music, as far as I'm concerned.
Top
typeofreak
Posted: Nov 5 2009, 11:16 AM


The Punisher
*

Group: Linchpin
Posts: 9,104
Member No.: 9
Joined: July-23 04



Yes. I remember my first time. The "night I lost my virginity to a Gorilla", if you will. Zat, the typeowife and I were at Will's Pub for a Gargashow, drinking appropriately and playing Rock 'Em Sock 'Em Robots. I got up to wizz while the opening band was on and had to walk past a stage vantage point to get to the restroom. Everyone there was just staring, mezmerized. Then I was, nearly peeing my pants because I had forgotten to hit the head. Once they took a break between songs I completed my personal business and went back to the bar to retrieve my companions. It was soooo worth it. She's not really even into metal or industrial music but she couldn't look away either. It's amazing and only seems to get better...or at least did until they disappeared.

Last 2 I saw they had a contortionist in a cage hanging from the ceiling as "The Last Human" kind of on exhibit for all of us to view. Then he freakin' escaped into the crowd and played some kind of portable kegdrum thing! You can really see the instrumental genius live as well. They make some of their own instruments and John Kane plays an electric 12-string on many songs. The show we saw after the JW tasting started with a funeral procession, replete with standards and incense.

SleepytimeGorillaMuseum.com
Top
Dire 51
Posted: Nov 5 2009, 12:19 PM


Step into the shadows of the Hell House.
*

Group: Edgecrusher
Posts: 23,358
Member No.: 1
Joined: July-22 04



It appears they are still around. According to their MySpace page, they have shows scheduled up through the 20th of this month. Problem is, they're all out on the West Coast.
Top
« Next Oldest | For Those About To Rock... | Next Newest »


Topic Options



Hosted for free by InvisionFree (Terms of Use: Updated 7/7/05) | Powered by Invision Power Board v1.3 Final © 2003 IPS, Inc.
Page creation time: 0.0932 seconds | Archive